Finally we've redecorated our bedroom, all that's missing is a kilim or an old oriental rug which I'll hunt for when we're back from our travels.
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| Who Killed Bambi? rug (£1, car boot sale), 1930s bentwood armchair (£2, jumble sale), Victorian French mannequin (rescued from a friend who was chucking it out) |
There wasn't much wrong with it before but, after painting the lounge a magnificently moody shade of teal, we decided to take the bedroom over to the dark side, too. Inspired by our shabby bentwood chair which, you may remember, we recently reupholstered with a vintage pair of Jonelle "Marrakesh" screen printed curtains, we painted the walls a spicy colour Valspar call Meet Me In Morocco.
I'm wearing a modern mustard bodysuit I bought new (!) from a sale in a proper shop in 2016, a vintage plaited leather belt from a charity shop and an acetate 1970s maxi skirt by Country Casuals which I swapped for a scarf with another trader at the last fair we worked. Country Casuals were known for their prim and proper Maggie Thatcher-esque tailored suits and smart blouses - I had no idea they'd ever ventured into psychedelia. You may notice that my skirt is a mixture of reds, oranges and browns, when it comes to interior design you wont go far wrong if you decorate your home in colours you love to wear.
Like the poor old bedroom chair, both our vintage French Corbeille bed (a ridiculously cheap eBay find back in 2006) and our charity shopped Lloyd Loom blanket box, had been ragged to buggery by the cats so we recovered them using a pair of red cotton velvet curtains Melanie, a lovely blog reader, had given me when she and her husband Ray came to see us when we were trading in London a couple of years ago. Forget diamonds, a staple gun is a girl's best friend.
You can see our previous wallpaper on my blog header, a rather posh, hand-printed Cole and Son metallic pink design. We'd enjoyed it for ten years but as it had only cost £7 for two rolls (RRP £95 a roll) we didn't feel too guilty about covering it up. The replacement is a reissue of an original Art Nouveau wallpaper design by Crown from 1910. It was love at first sight when I spotted it - I can't resist a metallic finish as it's perfect for deflecting the attention away from our lumpy & bumpy two-hundred-and-seventy year old walls. The design reminds me of the end papers in antique books only on a larger scale.
Here's the Lundby Stockholm house all lit up and looking much prettier against the darker backdrop. The mahogany chest of drawers is Victorian and has stood in this corner since the dawn of time. Neither of us are particularly keen on it but it's a whopping great lump of furniture and I've no idea how we'd ever get it out of the house - I think it was in there when my Grandparents moved into Stonecroft back in 1952.
The vintage block printed bed cover was made in Iran, I found it in a £1 linen bin in the charity clearance shop. I considered chopping it up and making it into a caftan but was scared to in case I buggered it up. I did made the bolster cushions and the pom-pom trimmed patchwork covers.
You've already seen my me-made curtains - sewn from scrappy secondhand curtains, vintage dresses too tatty to sell and any pretty fabric remnants I could lay my hands on. The curtain rail was one of those horrid 1970s orange-y pine things but a coat of white paint soon sorted it out.
Jon made this lamp from a 1960s Lady Schick hairdryer we found at a car boot sale for £1. I love how it throws circle-shaped light on the ceiling, a bit like being in a disco.
The Trechikoff-era plaster lamp was 50p at a car boot sale back in 2010 - I couldn't hand my cash over fast enough! The vintage granny lampshade was liberated from a skip.
We bought these modern Colonial-style white wicker wardrobes from a catalogue clearance shop in Walsall when we moved to Stonecroft in 2005 and I'm amazed that they're still intact. Jon keeps his clothes in them (and a few of his guitars on the top!)
Kingdom Come by JC Ballard is my current bedtime read, a dystopian tale of flag-waving patriotism and rampant consumerism in middle England.
Art on our walls - Trechikoff's Hindu Dancer and The Rose in the Workshop, Louis Shabner's Gail, three typically bucolic prints by Vernon Ward, a painting of Jon & I at Glastonbury in 2014 (a 50th birthday present from Liz) and another of me by my friend Clare.
I treated myself to these cacti from B&Q last week.
The handmade 1950s rose print quilt was £2 from a charity shop a few weeks ago, the cats love it.
We've been to Morocco a couple of times. Here I am on my first trip as a fresh-faced 25-year-old back in 1992. We stayed at The Hotel Continental in the heart of the souk in Tangier where, two years previously, John Malkovich had stayed and filmed The Sheltering Sky. Abdul, the fez wearing head waiter, had worked there since the Second World War, during breakfast he'd wind up the gramophone and play big band tunes. We visited the Bond baddie's Tangier villa in The Living Daylights, dodged a legion of touts who'd line up outside the hotel each morning and attach themselves firmly to our sides as we walked around le petit socco pointing out the obvious and demanding cash for the privilege. We sat in cafes bedecked with graffiti supposedly daubed by The Rolling Stones, payed homage to the Marrakesh rooftop where Talitha Getty posed for that photo, marveled at Yves St Laurent's beautiful blue garden, trekked the Rif Valley, swam in icy cold mountain streams, crossed the country on the overnight Marrakesh Express where we shared a couchette with the locals and accidentally ended up in an illegal strip joint in downtown Marrakesh with the chief of police (as you do!)
Here's a little slideshow of our twenty-seven year old adventures. Jon's got hair and everything! I know I'm going to sound like like a moaning old bat but travel was so different a quarter of a century ago. There weren't the cheap flights you get today and you'd often had to save up all year to travel, none of those tedious bucket list types either, ticking stuff off and blocking your view of the sights with selfie sticks, instead travellers thoroughly immersed themselves in the culture of the country they were in. Pre-internet, we interacted with one another, exchanged tips, loaned out well-thumbed guidebooks and shared meals and taxis. These days the majority of your fellow tourists have their faces stuck to their phones, updating their Facebook statuses and constantly checking how many likes their latest selfie gets on Instagram. The only downside was that, pre-internet, you'd often end up losing the paper napkin on which you'd scrawled your new friends' phone number upon so you never managed to keep in touch with the couple you'd spent that night in a strip joint in Marrakesh with - Facebook does have its advantages.
Anyway, enough of that! Not only have we finished decorating the bedroom but I've finally managed to pack my India travel bag (despite Idris Elba doing his best to distract me with the new series of Luther). I'll be back soon!
