Friday, 29 November 2024

2001: A Birmingham Odyssey


Another day, another day out and, as I didn't mark my 2000th blog post with a special title, I thought I'd reference my 2001st instead.


On Thursday, I met up with my friend Nikki in Birmingham. 


After meeting up at our usual spot at New Street Station we headed to the Birmingham Museum and Art Gallery for a pot of Moroccan Mint tea in their legendary Edwardian Tea Rooms. In there I bumped into a fellow vintage trader friend, Sue, who I met in a jumble sale queue a couple of decades ago and Nikki & I were asked if we'd pose for a photo by a amateur photographer somewhat enamoured with our fedoras and vintage outfits.


I couldn't leave the museum without capturing Jacob Epstein's drop-dead gorgeous Lucifer (1945). This time I thought I'd treat you to his rear view, just as mesmerising as the front.


After stocking up with a few bits in Superdrug and trying on a fabulous camel fedora in the House of Tweed, we continued on our way, passing the former parish church of St Martin in the Bull Ring, built in the Gothic Revival style by JA Chatwin in 1855.


The now iconic Selfridges building, designed by architects Future Systems and completed in 2003 at a cost of £60 million. 


Built in 1908 and once part of the Carrs Lane Congregational Church, The Digbeth Institute has been one of Birmingham's leading music venues since the late 1950s. During the 1990s it was known as The Sanctuary and was the original home of the superclub, Godskitchen. I've seen many amazing gigs here over the years, the standout being Primal Scream in 2006 when they played an intimate set for 99 invited guests including me, Jon & DJ Janice Long (RIP).


Our destination was DigbethBirmingham's former Industrial heartland. Companies including Typhoo Tea and Birds Custard had factories here. Many of the buildings in this area are adorned with some of the best Street Art in the UK. 
 

After a wander around Cow Vintage we headed to Red Brick Market, a former industrial unit now home to an indoor market crammed with independent units selling all manner of interesting and quirky gear, a bit like Oasis market back in its heyday (a mecca for us Midland alternative kids). 




We had a brilliant time looking at all the weird and wonderful stuff on offer. 




What girls' day out is complete without a mirror selfie? 


As we're on the same wavelength, we both wore vintage velvet, fedoras and Clarks' boots. It wasn't planned, honest! 



If I didn't already have about a billion tote bags I'd have tempted with this! 


















Fortunatley the stalls are unmanned or I'm sure the proprietors would have been rolling their eyes at us naming the Pippa dolls - Tammie, Britt, Yasmine, Marie, Mandy - and going on about having them as kids (this used to drive us mad at vintage fairs!)





The only trouble with these old industrial units are how cold they can be, we were dithering after an hour. It was definitely warmer outside than in.




Isn't the exit to the former Birds Custard Factory stunning? The premises is now an independent arts space known as The Custard Factory. Artwork by Philth, Victorian tiles by Minton.


In need of sustenance we headed to The Old Crown in Deritend, said to be one of the oldest existing secular buildings in Birmingham. It is Grade II listed and claims to date back to 1368, retaining its black and white timber frame, although almost all of the present building dates from the early 16th century.






I'd not been in The Old Crown since the days BC (before Corona) but it was as charming and cosy as always. The group studying conversational Italian in the Wolverhampton Art Gallery cafe on Monday would have been in their element, there was a huge party of Italians enjoying this traditional British boozer.


Normally neither of us are into fried food but couldn't resist the ordering the Vegetarian Share Plate. Consisting of nachos with cheese and jalapenos, salt and chilli cauli wings, piri piri haloumi, panko goats cheese, hummus, flat bread and marinated olives everything was delicious and not at all greasy and there was so much we struggled to finish. We toasted our birthdays (Nikki's on 11th November, mine next week) with a pint of Neck Oil.



 Although tempted with another beer, we were mindful of the touristy chaos that is Birmingham's Frankfurt Xmas Market so did the sensible thing and made our way back to the station before getting caught up with the hoards.


As always, we were constantly stopped by strangers, both male and female, and complimented on the way we were dressed. Who says you become invisible in your 50s? Not us! 


Have a fantastic weekend, one and all and I hope my US readers had a bostin' Thanksgiving. Pop back on Monday where I'll be revealing a rather amazing charity shop find as well as my birthday plans!!

Tuesday, 26 November 2024

Painted Dreams:The Pre-Raphaelite Art of Evelyn De Morgan


Back in 1907, Wolverhampton Art Gallery held a retrospective of work by Pre-Raphaelite artist, Evelyn De Morgan. The exhibition showcased some of her most impressive paintings and was a milestone in both De Morgan's career and for female artists in general as it was the first time a modern gallery had ever dedicated a solo exhibition to a woman. It was very well-received, with one visitor describing De Morgan's work as "Painted Dreams". In a major show which opened in October, Wolverhampton Art Gallery has recreated the magic of the original 1907 exhibition with over 30 of De Morgan's paintings and drawings.

Evelyn De Morgan


Wolverhampton's the nearest city to home, at just 7 miles away (as opposed to Birmingham, which is two miles further). I caught the 529 bus from Walsall bus station and met up with my friend Lynn outside the Grand Theatre. After a restorative pot of tea in the gallery's cafe & a chat with a lovely lady who was part of a group studying conversational Italian on the table next to us, we posed for a classy toilet selfie before exploring the exhibition.


 Mary Evelyn Pickering was born in 1855 in London to upper-class parents, her mother's brother was the painter John Roddham Spencer StanhopeOne of four children, Evelyn was educated at home. She wrote original poetry from an early age which explored some of the themes which would later dominate her paintings. Despite some parental resistance, Evelyn was determined to be a professional artist and began training at the National Art Training School before enrolling at the newly formed Slade School of Art. It was at this time she began using her unisex middle name, Evelyn, rather than Mary, so that her work would be judged on merit alongside her male peers, rather than as art by a woman, an insight into the prejudices of the time; being an artist was widely considered a male occupation and unsuitable for a woman.  Evelyn excelled at the Slade, winning a full scholarship for her studies and many prizes for her artwork. She was particularly celebrated for her life drawing and compositions. Evelyn was inspired by Italian Renaissance paintings, the work of Botticelli in particular. She travelled to Italy to copy paintings in the Uffizi Gallery in Florence


A example of the prejudice women arts of the day faced. (Some female artists do achieve) a partial success - they win the minor scholarships, and then lose themselves into the Nirvana of artistic mediocrity. The generally accepted principle that imaginative creation is out of the range of feminine capacity is nowhere more apparent than in art, and the sooner the truth of this is recognised by the sex, the better it will be for those who, thirsting for fame and fortune, adopt the light and ladylike profession of art. Grrrr!

Evelyn's palette

The Cadence of Autumn 


The Poor Man Who Saved the City


Cassandra, 1898

Note the wooden horse in the background

Helen of Troy, 1898



The Storm Spirits (1900) which represented thunder, lightning and rain as beautiful women. 

In 1883, at a fancy dress party whilst dressed as a tube of paint, Evelyn met celebrated Arts and Crafts ceramicist, William De Morgan and despite the 16 year age gap, the couple fell in love and married in 1887. Evelyn's personal wealth enabled her to buy their home six months before their wedding and for the first half of their marriage she was able to use the profits from the sales of her paintings to support her husband's pottery business. The couple spent their lives together in London, visiting Florence for half the year every year from 1895 until the outbreak of WWI. Both Evelyn & William supported the suffrage movement, and Evelyn's name appears as a signatory on the Declaration in Favour of Women's Suffrage of 1889. 

Night & Sleep

The Little Sea Maid

The Grey Sisters

Love's Passing

Luna

One of De Morgan's most celebrated works, the life-size painting of Flora, the Roman goddess of Spring.

Flora, 1894

  Check out the details....

No mistaking Botticelli's influence 



Boreas and Orithyia

Earthbound


Blindness and Cupidity Chasing Joy


Evelyn De Morgan died in May 1919, two years after the death of William and was buried in Woking. Their tombstone bears the inscription “Sorrow is only of the flesh / The life of the spirit is joy”.

Port After Stormy Seas, 1905


De Morgan studied her subject in meticulous detail before committing anything to paint, rarely needing to correct her work.

The Love Potion


Is that an ancestor of our little William?



The Hour Glass which used an elderly Jane Morris (the Arts and Crafts embroiderer married to William) as the model.

Study for The Hour Glass

Painted Dreams is free and runs until 9th March, 2025  

Wolverhampton Art Gallery, Lichfield St, Wolverhampton WV1 1DU

We both loved it so much that we're definitely going back! 


Much has been made of Wolverhampton, the capital of the Black Country's sad decline. The grand architecture points to the city's once rather grand past.




It's a great place for gigs and back in my youth it was a lot cooler & edgier than Birmingham for nights out. Despite the dereliction you can't fault the friendliness of the locals, us Midlanders are famed for it. Lynn and I were pleasantly surprised by the stock and the prices in the charity shops and lunch was superb.


On Lynn's recommendation we feasted on dosas, rice flour pancakes stuffed with spiced vegetables and served with sambar and chutney. As authentic as any I've eaten on my travels around South India.
 
Cafe Rosa, 37 Lichfield St, Wolverhampton WV1 1EQ


A bus selfie on the way home! I made my bolero and matching choker over the weekend using scraps of the Golden Lily fabric I had left over from my maxi waistcoat.

I'm off to another Midlands city tomorrow, Birmingham! Stay tuned for what Nikki and I got up to. 

PS I've just realised this is my 2000th blog post!